Download the new for mac Anna Karenina2/22/2024 ![]() ![]() However, the film is a high-caliber colossus of mise en scène, deluxe costumes and outstanding art direction, particularly during the first act, its tableaux-on-stage suppleness can effortlessly dazzle the audience and preserve a spellbinding momentum while multifarious characters emerge and disappear, honing up to the climax, the resplendent ballroom sequences, introducing the lust-exuding pas de deux between Anna and Vronsky (Taylor-Johnson), concurrently, the subplot of Kitty (Vikander) and Levin (Gleeson) has been practically rolled out as well. It’s the third time for Jon Wright to tender Keira Knightley a leading role in a period drama, the first two (PRIDE & PREJUDICE 2005, 8/10 ATONEMENT 2007, 9/10) have raked in handsome rewards, but woefully the third time is not a charm, a plain and simple reason is that Knightley’s screen reputation is a far cry from Anna Karenina, Tolstoy’s prime epitome of a Russian belle, a married woman with a modernism perspective, who is enchanted by her dauntless quest of passion and dare to break out of the shackles of a dead-water marriage, yet consequentially, entrapped by her capricious psyche and finally corroded by the society’s scorn and her overestimated perseverance of standing her ground.
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